Presence in a Box

Posted bygregcornessPosted inExhibition

Exploring media agents in spatial interaction with performers.

scores+traces: exposing the body through computation is an interdisciplinary media art exhibition with performative interventions presenting works by artists whose creative practice challenges conventional understanding of movement, perception, body and computation.

The exhibition was held at the gallery One Art Space, in Tribeca NYC, March 10-12, 2016 and is presented by the Laban/Bartenieff Institute of Movement Studies in partnership with movingstories.

scores+traces curators invited artists and researchers internationally to submit art, design and research projects that are fundamental for the current research on movement and computation.

Movement Analyst Regina Miranda, scores + traces Chief Curator, is LIMS® CEO/Director of Arts & Culture. Miranda’ s curatorial work in NYC includes MOSAIC, the Dance Performance Atelier, and LIMS Spring Forward. Highlighted last year by the NYT as one of the best weekend artistic programs of NYC, Spring Forward is proud to be the LIMS umbrella program for this year’s partnership with movingstories

Artists:

Matt Gingold, Sarah Shamash, Aisha Jamal, Prophecy Sun, Yves Candau, Jules Françoise, Sarah Fdili Alaoui, Mirjana Prpa, Kıvanç Tatar, Kristin Carlson, Greg Corness, Shannon Cuykendall, Ethan Soutar-Rau, Philippe Pasquier, Thecla Schiphorst, Karen Bradley, Maria Lantin, Ken Perlin, Martin Gotfrit, David Lobser, Sebastian Herscher, Connor Defanti, Thomas Meduri, Sonia Foltarz, Clare Carroll, Matthew Foglia, Dominique Lufrano, Wenbo Lan.

Published by gregcorness

Greg Corness is a Researcher and Artist working with embodied interaction in media environments. His background in music, theatre and dance provides the basis for his research which focus on interdisciplinary improvisation, distributed cognition in performance, and methodologies for researching experience in performance. He is particularly interested in investigating performer’s intuition during improvisation and how to leverage this embodied knowledge in their interactions with autonomous computer systems. He has developed several generative sound systems as well as computer vision and tangible interfaces for use in interactive performance and installation works. He has published in the fields of electronic music and human-computer interaction and his work includes galleries installations, interactive museum exhibits and live performance in Canada and the US.