Publications and Performances

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Journal Articles and Book Chapters (Without Presentation)

  • Corness, G., Carlson, K., Sun, p. (2018) Interfaces for Installation. Chapter in Foundations in Sound Design for Interactive Media: an interdisciplinary approach, Edited by M. Filimowicz. Routledge.
  • Corness, G., Carlson, K., Sun, p. (2018) Case Study: Toys and Playful Devices. Chapter in Foundations in Sound Design for Embedded Media: an interdisciplinary approach, Edited by M. Filimowicz. Routledge.
  • Carlson, K., Sun, P., Cuykendall, S., Schiphorst, T., Lantin, M., Corness, G. (2017) ‘Beyond the Here and Now: Exploring Presence in Mediated, Improvised Performance’. Presence Journal, Special Issue: Teleoperators and Virtual Environments. MIT Press. Pp.97-110.
  • Antle, A.N., Corness, G., and Bevans, A. (2012) Balancing Justice: Exploring embodied metaphor and whole body interaction for an abstract domain. International Journal of Arts and Technology, Special Issue on Whole Body Interaction. 6.4 (2013): 388-409.
  • Antle, A.N., Corness, G., and Bevans, A. (2011) Springboard: Designing image schema based embodied interaction for an abstract domain. Human-Computer Interaction Series, Springer, 7-18.
  • Antle, A. N., Corness, G. & Droumeva, M. (2009). Human-Computer-Intuition? Exploring the cognitive basis for intuition in embodied interaction. International Journal of Arts and Technology, Vol. 2, No. 3 235-254.
  • Antle, A. N., Corness, G. & Droumeva, M. (2009). What the body knows: Exploring the benefits of embodied metaphors in hybrid physical digital environments, Interacting with Computers: Special Issue on Physicality, Elsevier. 66-75
  • Corness, G. (2008). The Musical Experience Through the Lens of Embodiment Leonardo Music Journal, Vol.18, MIT press, 21-24.

Conference Papers with Presentation

  • Carlson, K., Corness, G., Iranezhad, Z., Brucker, K., Schlink, L. (2022). Sounds of Connection: Tactile Support of Family Engagement in Elderly Memory-Care Residents. Submitted to the Conference on Tangible, Embedded, Embodied Interaction. 7 pages. In Review. 
  • Carlson, K., Corness, G. (2020). Perceiving the Light: Exploring Embodied Cues in Interactive Agents for Dance. The International Symposium on Movement and Computing (MOCO). Pg. 1-4. 4 pages. 
  • Corness, G., Carlson, K. (2020). Physical Time: A Model for Generating Rhythmic Gestures Based on Time Metaphors. The International Symposium on Movement and Computing (MOCO). Pg. 1-6. 6 pages. 
  • Corness, G., Carlson, K., (2019) Embodied Intention: Robot Spinal Initiation to Indicate Directionality. The International Symposium on Movement and Computing (MOCO). Pg. 1-4. 4 pages. 
  • Carlson, K., Fdili Alaoui, S., Corness, G., Schiphorst, T. (2019) Shifting Spaces: Using Defamiliarization to Design Choreographic Technologies That Support Co-Creation. The International Symposium on Movement and Computing (MOCO). Pg.1-8. 8 pages. 
  • Corness, G., Carlson, K., (2019) Deconstructing Gesture: Investigating Embodied Motion. The International Symposium on Movement and Computing (MOCO). Pg. 1-3. 3 pages. 
  • Corness, G., Carlson, K., Sun, p. (2019) Active Listening: Encouraging Sound Awareness Through Tangible Sonic Toys. Proceedings of Interactive Design for Children (IDC2019). Pg. 334-338. 4 pages.
  • Corness, G., Carlson, K. (2019) Explorations in a Classroom Context of 3D Audio for Game Environments.The Future of Audio in VR Workshop (IEEE VR). 3 pages.
  • Corness, G., Carlson, K. (2018) Physicalizing Time Through Orientational Metaphors for Generating Rhythmic Gestures. Electronic and Visual Arts (EVA), The British Computer Society, London. Accepted, In Press.
  • Corness, G., Seo, J. H., & Carlson, K., (2015) Perceiving Physical Media Agents: Exploring Intention in a Robot Dance Partner. In the Proceedings of the International Symposium on Electronic Art (ISEA), Vancouver, B.C., Canada, August 14-18, 2015. 8 pages.
  • Seo, J. H. & Corness, G. (2015) Aesthetics of Immersion in Interactive Immersive Installation: Phenomenological Case Study. In Proceedings of International Symposium of Electronic Arts (ISEA), Vancouver, Canada, August 14-18, 2015. 8 pages.
  • Young, R., & Corness, G. (2015). Roboplush, Communicative Robot. Grace Hopper Celebration for Women in Computing. Houston, TX: ACM Press.
  • Huxtable, B. J., Lai, C. K.-H., Zhu, J. W. J., Lam, P. M.-Y., Choi, Y. T., Neustaedter, C., & Corness, G. J. (2014). Ziklo: Bicycle Navigation Through Tactile Feedback. In CHI ’14 Extended Abstracts on Human Factors in Computing Systems (pp. 177–178). New York, NY, USA: ACM.
  • Corness, G., & Schiphorst, T. (2013) Performing with A System’s Intention: Embodied in Cues in Performer-System Intention. In the Proceedings of the ACM conference on Creativity & Cognition (C&C13), Sydney, Australia. June 17-20, 2013. 8 pages.
  • Seo, J., & Corness, G. (2012). Light strings: kinesthetic immersive environment. In SIGGRAPH ASIA Art Gallery (pp. 15-1).
  • Corness, G., Carlson, K., & Schiphorst, T. (2011). Audience Empathy: A Phenomenological method for Mediated Performance. In the Proceedings of the ACM conference on Creativity & Cognition (C&C11), Atlanta, Georgia, USA. November 3-6, 2011. 10 pages.
  • Carlson, K., Corness, G., & Schiphorst, T. (2010). ‘Plan, Action, Collaboration: Reflecting on an Interdisciplinary Collaborative Process’, Proceedings from The Embodiment of Authority Conference, Sibelius Academy, Helsinki, Finland, September 10-12.
  • Antle, A.N., Corness, G., Bakker, S., Droumeva, M., van den Hoven, E., & Bevans, A. (2009). Designing to support reasoned imagination through embodied metaphor, In the Proceedings of the seventh ACM conference on Creativity and cognition (C&C09). Oct. 26-30, 275-284.
  • Antle, A.N., Corness, G., & Doumeva, M. (2009). Springboard: exploring embodiment, balance and social justice, Proceedings of Extended Abstracts of Conference on Human Factors in Computer Systems CHI 09. 4027-4032.
  • Droumeva, M., Antle, A., Corness, G., & Bevans, A. (2009). Springboard: exploring embodied metaphor in the design of sound feedback for physical responsive environments, Proceedings of the 15th International Conference on Auditory Display (ICAD), 18-21 May, Copenhagen, Denmark.
  • Hatala, M., Tanenbaum, K., Wakkary, R., Muise, K., Mohabbati, B., Corness, G., Budd, J., & Loughin, T. (2009). Experience Structuring Factors Affecting Learning in Family Visits to Museums. EC-TEL 37-51.
  • Wakkary, R., Hatala, H., Muise, K., Tanenbaum, K., Corness, G., Mohabbati, B., & Budd, J. (2009). Kurio: a museum guide for families. Tangible and Embedded Interaction 215-222.
  • Corness, G. (2008) Performer Model: Towards a Framework for Interactive Performance Based on Perceived Intention. In Proc. Conference on New Interfaces for Musical Expression (NIME08) Genova, Italy, 265 -268.
  • Antle, A. N., Droumeva, M. & Corness, G. (2008). Playing with the Sound Maker: Do embodied metaphors help children learn? Proc. International conference on interaction Design for Children Chicago, IL, USA, ACM press, 178-185.
  • Seo, J. & Corness, G. (2007). nite_aura: an audio-visual interactive immersive installation. In Proc. Conference on New Interfaces for Musical Expression (NIME07), New York, NY, USA.

INVITED SPEAKING AND CONFERENCE PRESENTATIONS WITHOUT PUBLICATION

  • Tish Dance and New Media Conference
    April 7–9, 2017
    NYU/Tish Dance Department 111 2nd Ave NYC.
    “Valuing Embodied Knowledge: Teaching Technology to Dancers”
  • The 2015 International Symposium on Electronic Art (ISEA2015)
    August 14-19th, 2015
    Vancouver, BC, Canada.
    Panel Coordinator
    “Bodies and Presence”
  • The 2015 International Symposium on Electronic Art (ISEA2015)
    August 14-19th, 2015
    Vancouver, BC, Canada.
    Institutional Presentation
    “The Interactive Arts and Media Department at Columbia College Chicago”
  • Texas A+M Architecture and Visualization Department
    Invited Speaker, Artist Presentation
    March 31-April 2, 2014
  • #docyourworld, Conference on documentary practices
    April 23-24, 2014
    Columbia College Chicago
    Invited Speaker
  • International Digital Media and Arts Association Conference (IDMAA2014)
    Nov. 05-07, 2014
    Utah Valley, Utah, USA.
    “Us + It: Developing Performer-Computer Interaction with Agents in Performance”
  • Digital Resources in the Humanities and Arts Conference 2010 (DHRA2010)
    Sep 05 – 08, 2010
    Brunel University, London England
    The Illusion of Togetherness: Audience Kinesthetic Experience of Dance
  • Kinesthetic Empathy: Concepts and Context
    April 22 – 23, 2010
    Manchester England
    Intuition as a Parameter for Interactive Performance

SELECTED PERFORMANCES AND EXHIBITIONS

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April 2018
Mediated dance performance
Kristin Carlson and Greg Corness
Presented at the Spring Dance Theatre Concert at Illinois State University
Interactive projections and gesture-controlled mirror with choreography.
Video
Invited Collaborator

Waft, Whip, Whirl
April 2017
Dance performance with generative sound score
Kristin Carlson and Greg Corness
Presented at the Spring Dance Theatre Concert at Illinois State University
Generative sound score with choreography.
Video
Invited Collaborator

Presence in a Box: Crossing Liminal Spaces’ Interactive Media Installation
March 10-12, 2016
Scores + Traces: Exposing the Body Through Computation Exhibition
Shannon Cuykendall, prophecy Sun, Kristin Carlson, and Greg Corness
One Art Space, NYC, NY.
Interactive projections and gesture-controlled mirror.
Juried Art Show

2016 Faculty Biennial
January 12-February 14, 2016
‘Typographic Entanglement’
Kristin Carlson and Greg Corness
University Galleries at Illinois State University
Non-Curated Art Show

The Veil of Nature
An immersive installation
Exhibited at the Goldcorp Center for the Arts, Vancouver, BC, Summer 2013
My role was as Experience designer and physical computing in collaboration with Martin Gotfrit, Sammy Chen, and Norm Jaffe

The Illusion of Togetherness
A kinesthetic experience in performance
Performed at the Surrey Art Gallery in October, 2010
My role was as Experience designer in collaboration with Kristin Carlson

Typographic Entanglement
An interactive performance Research performance funded by SSHRC
Performed at Emily Carr University of Art and Design April 28-­‐30, 2010
Video
My role was as interaction designer, dramaturg and composer in collaboration with PI Jonathan Aitken, Ben Bogart, Kristin Carlson, and Rayann Gordon.

http://jonathanaitken.ca/?portfolio=typographic-entanglement

Antic
A site-specific interactive performance
Produced by Proximity Arts
Presented at Blim Artist Center January 18 – February 16 2008
My role was as Interaction designer in collaboration with Heidi Taylor

http://www.proximityarts.com/project_antic.html#

A history of desire, written in the relationship between objects, audiences, and sound. In a room of memories right in the heart of Vancouver’s Antiques Row, Proximity created a high-tech antique parlour. Part sound installation, part museum exhibition, part trip down memory lane, antic provides a space in which to play, converse, and contemplate the turning of centuries and the turning of the globe.

nite_aura
An interactive installation with sound/visuals
Presented at The 2007 Conference on New Instruments for Musical Expression, NY, USA. June
2007
My role was as Sound Artist/Designer in collaboration with Jinsil Seo.

http://www.bodyinterface.com/2010/07/27/nite-aura-2007-2008/

Re:misunderstanding
Three pieces for two Poets and two Musicians with live electronic and computer sound
manipulation.
Performed at Open Space Gallery
Victoria July 2002
My role was as Composer/ Musician

Inside/Out
A collection of pieces for performer and computer
Performed as part of the Infrequency series at the Martin Batchler Gallery
Victoria October 2001
My role was as Composer

Mint Ghost
An interactive work for Computer and Dancer
Performed at the Upstairs Dance Festival
Victoria 2001
My role was as Composer/ CO Artistic Director

Bellringer
An interactive theater piece for computer and four actors
Produced by Blue Peanut Productions at the Belfry Arts Center Victoria January 2000
My role was as Composer/ Co-Artistic Director

Dance Motion
An interactive work for Computer and Dancer
Produced with Vancouver Pro Musica as part of Leaps New Music Festival. Vancouver June
1999
My role was as Composer/ Co-Artistic Director

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